Showing posts with label Spider-Man. Show all posts
Showing posts with label Spider-Man. Show all posts

Tuesday, April 22, 2014

A Final Defense



Throughout this blogging experience, I have tampered with the mystic arts of rhetorical theory. Now, the time has come to pay the price for this tampering. I will be judged on my works, evil and good, and repaid with a numeric grade. This is my final defense.



The primary goal of this blog was to engage rhetorical concepts. I proved my knowledge worthy of belief by incorporating and describing complex, developed reasoning, possibly sacrificing the interest of audiences uninitiated in the ways of rhetoric. Because of this, I tried to limit these explanations to the minimum, just enough so that the concept could still be understood. Sometimes this involved an easily-skipped, well-developed theoretical paragraph, and sometimes it amounted to a brief name drop for the sake of decorum.


While pretty much all of my posts fit snuggly into nerd culture, I think the artifacts analyzed were still pretty diverse in content, pulling from several different genres, therefore establishing myself, the rhetor, as one who has knowledge in many fields, yet one with a distinctly nerdy voice (or ideology? Maybe this blog is actually secretly all about arguing for the Cult of the Nerd, and by reading its theories, one is drawn further in until one cannot escape, and does not, in fact, realize that there is even anything to escape from, thinking instead that this is just the way life should be: wrapped in the false consciousness of comic books and spools of film).


In order to propel the audience into the proper frame of mind, I start each blog with a recognizable related to the artifact. This is an attempt to pique the audience member’s interest, and if it is something they care about, to get them to possibly understand the artifact the way I describe it, even if they didn’t want to. In the fashion of many of the Great Blogs, including The Bloggess, Tynan, and The Inky Fool, I try to incorporate an abundance of interesting dynamic features like lists and pictures in my blog to keep it interesting and unique, while also applying to blog conventions. I am not the best layout person, but I keep it consistent at the very least and stylish at the most. Another dynamic blog convention I included often was links to other pages that might give background information about something I am talking about to save space for more analysis. Links are enjoyable, as they are the bane of productivity in the Internet age.


Looking at the blog through Kenneth Burke’s “frames of acceptance,” which can be tragedy, comedy, or epic, I would at least halfheartedly argue that each of these frames would fit this artifact. By discussing parts of the heroic tales of such people as Spider-Man, Brandon Stanton, and our friend the sloth, the audience of the blog may feel a sense of adventure and invigoration from watching these individuals overcome hardship. The comic and / or tragic frames will be more apparent after the blog is finally graded. Both have been set up, as the heroes of this blog are all victims of fate. Ultimately, this blog attempts to provide a method of transcendence, with which this fate can be transcended and conquered. Tragedy and comedy are quite similar, until the end, when tragedy ends in death and comedy ends in marriages. Only once the blog is graded will fate determine whether it shall end in tragedy or comedy.




If it is a comedy, dibs on marrying Spider-Man!

Wednesday, January 22, 2014

Bitzer's Metatheory in Professor Thorgi

I will preface this post by stating that Peter Parker, the Amazing Spider-Man, has always been my hero. I blame 90s television for this. 
It was just always so good. From the 90s cartoon my love for Peter only grew; I started reading the comics when I was thirteen and I have been ever since. Ever since, until last year when Dan Slott, the current writer of the Spider-Man series, killed him, replacing his consciousness with the consciousness of Otto Octavius, AKA Doctor Octopus. 
This made me, and many other fans, less than happy. I could rant about this for days, but instead I’ll just get in to the rhetoric-y stuff. (Excuse the non-use of pronouns in reference to Professor Thorgi. I just started reading the blog, so I do not yet know the writer’s gender and dumb English has no gender neutral pronoun, so it is what it is).

The very first of these Rhetoric Blogs will be an analysis, through the lens of Lloyd Bitzer’s Metatheory, of the audience of Professor Thorgi’s blog post, “An In Depth Look at the Superior Spider-Man and the Return of Peter Parker,” which can be found here:
 

At the very beginning of the post, Professor Thorgi acknowledges the two different groups who may be reading his blog: those who “think Superior Spider-Man is the greatest book out there, or [those who] think it’s the worst thing ever.” Only after acknowledging these two groups, does the professor give a personal opinion on the matter: “I don’t think its either, I think it comes pretty firmly right down the middle…” By acknowledging both groups and then revealing the controversial opinion, Professor Thorgi treats the audience like they are made up of sentient beings capable of forming intelligent opinions.

Professor Thorgi realizes that the only people who are likely to read the blog are fans of either Amazing or Superior Spider-Man, so the professor does not waste time with plot details. Instead, the professor jumps in by qualifying the professor’s long background as a fellow fan, establishing that the professor is just like those reading the blog. After this, Professor Thorgi addresses both opinions by listing what the professor sees as the good and bad qualities of the comic book, thus alienating neither party.


One interesting thing about this blog is the professor’s address towards an idealized audience. In the final section of the post, Professor Thorgi discusses what the professor finds to be the biggest problem with the Spider-Man series and presents multiple options of how it can be fixed. At this point, the professor directly addresses Marvel head-honchos (who probably aren’t actually reading the post) warning them of dire consequences their can have if they continue doing ridiculous things to this beloved character just to keep the story going: “MARVEL FANS LIKE SEEING CHARACTERS GROW AND PROGRESS! YOU WILL GET HIGH SALES FOR A BIT AND THEN IT WILL CRASH! JUST LOOK AT THE NEW 52! I REPEAT, NOBODY WANTS THIS OPTION.” By addressing this fictional branch of the audience, Professor Thorgi shows the real audience how they can be change agents if they, like the professor, do not agree with how Marvel is treating their hero simply by speaking up.